Cinematic Images : The Digital Condition of Moving Images

Dublin Core

Title

Cinematic Images : The Digital Condition of Moving Images

Subject

image technologies, media technologies, film history, computer-generated aesthetics, film theory, post-cinematic era, digital image, video game technologies, TikTok duet, visual media, diversity, digital art, image science, digital turn, post-cinema, moving images, digital film production, Pixar films, CGI, film aesthetics

Description

The interplay of physical embodiment and digital images is getting enhanced by new media interfaces. The postmodern condition of media communication turns into a mode of hyper-aesthetics, and immersive image technologies – like cinematic images – enable a completely novel form of image aesthetics and user interaction with the cinematic image structures.
»Cinematic Images« contributes to the wide range of the hyper-aesthetic image discourse to connect the concept of cinematic depiction, digital design and software imagery with the approaches in modern media theory, philosophy, perceptual theory, aesthetics, computer graphics and art theory as well as the complex range of image science.
This volume monitors and discusses the relation of images and technological evolution in the context of cinematic images within the perspective of an autonomous image science.
Series: Yearbook of Moving Image Studies

Creator

Grabbe, Lars C.; Rupert-Kruse, Patrick; Schmitz, Norbert M.

Publisher

Büchner-Verlag

Date

2024

Rights

CC BY-SA 4.0

Format

PDF

Language

en

Type

Edited Book

Identifier

ISBN Print: 978-3-96317-398-1
ISBN PDF: 978-3-96317-967-9
DOI: 10.14631/978-3-96317-967-9

Book

Title

Cinematic Images

Subtitle

The Digital Condition of Moving Images

Author/Editor

Grabbe, Lars C.; Rupert-Kruse, Patrick; Schmitz, Norbert M.

Publisher

Büchner-Verlag

Year Published

2024

Blurb

The interplay of physical embodiment and digital images is getting enhanced by new media interfaces. The postmodern condition of media communication turns into a mode of hyper-aesthetics, and immersive image technologies – like cinematic images – enable a completely novel form of image aesthetics and user interaction with the cinematic image structures.
»Cinematic Images« contributes to the wide range of the hyper-aesthetic image discourse to connect the concept of cinematic depiction, digital design and software imagery with the approaches in modern media theory, philosophy, perceptual theory, aesthetics, computer graphics and art theory as well as the complex range of image science.
This volume monitors and discusses the relation of images and technological evolution in the context of cinematic images within the perspective of an autonomous image science.

Keywords

image technologies, media technologies, film history, computer-generated aesthetics, film theory, post-cinematic era, digital image, video game technologies, TikTok duet, visual media, diversity, digital art, image science, digital turn, post-cinema, moving images, digital film production, Pixar films, CGI, film aesthetics

Series

Yearbook of Moving Image Studies

ISBN Print

978-3-96317-398-1

ISBN PDF

978-3-96317-967-9

DOI

10.14631/978-3-96317-967-9

Rights

CC BY-SA 4.0

Language

en

Type

Edited Book

Format

PDF

Citation

Grabbe, Lars C.; Rupert-Kruse, Patrick; Schmitz, Norbert M., “Cinematic Images : The Digital Condition of Moving Images,” Büchner-Verlag Repositorium, accessed March 17, 2025, http://omeka.buechner-verlag.de/items/show/41.