1 10 1 http://omeka.buechner-verlag.de/files/original/49/9783963179662_cover_cuntz-leng.jpg 9025fc83d68fa0fa523db3c14b401d91 http://omeka.buechner-verlag.de/files/original/49/9783963179662_oa.pdf 95cff561be748b769ebf861ff7b1daea Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Book This metadata set allows to add book metadata Title Heaven, Hell, and Everything In-Between Subtitle Critical Perspectives on »Good Omens« Author/Editor Name of the Authors or Editors to be added in this field: Last Name, First Name Cuntz-Leng, Vera Publisher Büchner-Verlag Year Published The year the book has been published to be added in this field 2025 Blurb Why the British fantasy comedy TV show »Good Omens« – co-produced by the BBC and Amazon Prime – has become such a hit is not at all »ineffable«. The series, based on the beloved novel by Neil Gaiman and Terry Pratchett, follows the angel Aziraphale and the demon Crowley in their attempts to prevent the Apocalypse and save humanity from both ›above‹ and ›below‹, while slowly falling for each other. »Good Omens’« unique blend of humor, fantasy, and biblical themes has captivated audiences. The lead performances by Michael Sheen (Aziraphale) and David Tennant (Crowley) have been particularly praised for their chemistry and ability to bring these iconic characters to life. The series has also been lauded for its clever writing, stunning visual effects, intricate costumes and set-design, and its exploration of profound themes such as free will, good vs. evil, friendship, the meaning of life, and the very nature of existence. Because of its subversive humor, the constant transgression of societal norms as well as its pointed intertextual references to popular culture, literature, and history, »Good Omens« gained a strong and dedicated fan-following, which centers around Aziraphale and Crowley. The contributions of this volume from literary, cultural, media, film, and television studies as well as related disciplines are concerned with a broad variety of aspects of this thought-provoking series regarding mythology, intertextuality, gender, and fandom in particular. Keywords Good Omens, Terry Pratchett, Neil Gaiman, David Tennant, Michael Sheen, Aziraphale, Crowley, fantasy comedy TV, fantasy TV, fandom, biblical themes, free will, good vs. evil, intertextuality, gender, mythology, intermedia, fan culture, identity, queerness, fan community, bromance Series Fantastic TV ISBN Print 978-3-96317-385-1 ISBN PDF 978-3-96317-966-2 DOI 10.14631/978-3-96317-966-2 Rights The license or copyright notice is to be added in this field CC BY-NC 4.0 Language en Type The type of publication is to be added in this field: Usually it will be just Book, Peer-reviewed Book, Edited Book Edited Book Format Add available formats in this field PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Heaven, Hell, and Everything In-Between : Critical Perspectives on »Good Omens« Creator An entity primarily responsible for making the resource Cuntz-Leng, Vera Publisher An entity responsible for making the resource available Büchner-Verlag Date A point or period of time associated with an event in the lifecycle of the resource 2025 Description An account of the resource Why the British fantasy comedy TV show »Good Omens« – co-produced by the BBC and Amazon Prime – has become such a hit is not at all »ineffable«. The series, based on the beloved novel by Neil Gaiman and Terry Pratchett, follows the angel Aziraphale and the demon Crowley in their attempts to prevent the Apocalypse and save humanity from both ›above‹ and ›below‹, while slowly falling for each other. »Good Omens’« unique blend of humor, fantasy, and biblical themes has captivated audiences. The lead performances by Michael Sheen (Aziraphale) and David Tennant (Crowley) have been particularly praised for their chemistry and ability to bring these iconic characters to life. The series has also been lauded for its clever writing, stunning visual effects, intricate costumes and set-design, and its exploration of profound themes such as free will, good vs. evil, friendship, the meaning of life, and the very nature of existence. Because of its subversive humor, the constant transgression of societal norms as well as its pointed intertextual references to popular culture, literature, and history, »Good Omens« gained a strong and dedicated fan-following, which centers around Aziraphale and Crowley. The contributions of this volume from literary, cultural, media, film, and television studies as well as related disciplines are concerned with a broad variety of aspects of this thought-provoking series regarding mythology, intertextuality, gender, and fandom in particular. Series: Fantastic TV Subject The topic of the resource Good Omens, Terry Pratchett, Neil Gaiman, David Tennant, Michael Sheen, Aziraphale, Crowley, fantasy comedy TV, fantasy TV, fandom, biblical themes, free will, good vs. evil, intertextuality, gender, mythology, intermedia, fan culture, identity, queerness, fan community, bromance Identifier An unambiguous reference to the resource within a given context ISBN Print: 978-3-96317-385-1 ISBN PDF: 978-3-96317-966-2 DOI: 10.14631/978-3-96317-966-2 Rights Information about rights held in and over the resource CC BY-NC 4.0 Language A language of the resource en Type The nature or genre of the resource Edited Book Format The file format, physical medium, or dimensions of the resource PDF Fandom Gender Studies Media Studies Medienwissenschaft Queerness TV series