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http://omeka.buechner-verlag.de/files/original/16/9783963178528_cover_jacob.jpg
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http://omeka.buechner-verlag.de/files/original/16/9783963178528_oa.pdf
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Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Book
This metadata set allows to add book metadata
Title
War in Film
Subtitle
Semiotics and Conflict Related Sign Constructions on the Screen
Author/Editor
Name of the Authors or Editors to be added in this field: Last Name, First Name
Jacob, Frank
Publisher
Büchner-Verlag
Year Published
The year the book has been published to be added in this field
2022
Blurb
The human experience of war is not only remembered by societies through memorials, but also through the depiction of wars and important battles of respective national histories on screen. Very often, the image presented is related to existent semiotics, and the respective sign systems determine the image of heroic actions and violence on the screen. The present volume provides a deeper insight into the forces at play when war films are presented on the big screen and intends to show why and how violent conflicts often have an afterlife as visual media as well.
Keywords
Omer Fast; Steve McQueen; war film; Christopher Nolan; Roland Barthes; film aesthetics; Kriegsfilm; Maya Schweizer; Alain Delon; Clemens von Wedemeyer; Fernando Frías; Mario Volpe; semiotics; war images; film narratives; national narratives; Amat Escalante; Frank Herbert; popular culture; Alessandro Blasetti
ISBN Print
978-3-96317-303-5
ISBN PDF
978-3-96317-852-8
DOI
10.14631/978-3-96317-852-8
Rights
The license or copyright notice is to be added in this field
CC BY-NC 4.0
Language
en
Type
The type of publication is to be added in this field: Usually it will be just Book, Peer-reviewed Book, Edited Book
Edited Book
Format
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pdf
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
War in Film : Semiotics and Conflict Related Sign Constructions on the Screen
Creator
An entity primarily responsible for making the resource
Jacob, Frank
Publisher
An entity responsible for making the resource available
Büchner-Verlag
Date
A point or period of time associated with an event in the lifecycle of the resource
2022
Description
An account of the resource
The human experience of war is not only remembered by societies through memorials, but also through the depiction of wars and important battles of respective national histories on screen. Very often, the image presented is related to existent semiotics, and the respective sign systems determine the image of heroic actions and violence on the screen. The present volume provides a deeper insight into the forces at play when war films are presented on the big screen and intends to show why and how violent conflicts often have an afterlife as visual media as well.
Subject
The topic of the resource
Omer Fast; Steve McQueen; war film; Christopher Nolan; Roland Barthes; film aesthetics; Kriegsfilm; Maya Schweizer; Alain Delon; Clemens von Wedemeyer; Fernando Frías; Mario Volpe; semiotics; war images; film narratives; national narratives; Amat Escalante; Frank Herbert; popular culture; Alessandro Blasetti
Identifier
An unambiguous reference to the resource within a given context
ISBN Print: 978-3-96317-303-5
ISBN PDF: 978-3-96317-852-8
DOI: 10.14631/978-3-96317-852-8
Rights
Information about rights held in and over the resource
CC BY-NC 4.0
Language
A language of the resource
en
Type
The nature or genre of the resource
Edited Book
Format
The file format, physical medium, or dimensions of the resource
pdf
Filmästhetik
Filmgenre
Filmsprache
Filmwissenschaft
Kriegsfilm
Medienwissenschaft
Semiotik
-
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http://omeka.buechner-verlag.de/files/original/2/9783963176357_oa.pdf
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Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Book
This metadata set allows to add book metadata
Title
Gestörter Film<em></em>
Subtitle
Wes Cravens A Nightmare on Elm Street
Author/Editor
Name of the Authors or Editors to be added in this field: Last Name, First Name
Rein, Katharina
Publisher
Büchner-Verlag
Year Published
The year the book has been published to be added in this field
2012
Blurb
Wes Cravens <em>A Nightmare on Elm Street</em> (1984) genießt heute mehr denn je Kultstatus. Allein der Gedanke an seine Hauptfigur Freddy Krueger jagt noch immer vielen Zuschauern einen Schauer über den Rücken – und zaubert eingeweihten Slasher-Fans ein Grinsen ins Gesicht. <br />Katharina Rein unterzieht diesen unbestrittenen Genre-Klassiker einer intensiven Lektüre, in der sie den zentralen Momenten der Störung nachspürt. Anhand ausgewählter Sequenzen des Films deckt sie die Funktionsweisen von Störungen im Horrorgenre auf. Entgegen verbreiteter Auffassungen begreift sie diese im Anschluss an Michel Serres nicht als hinderlich, sondern als produktiv. Wie Rein zeigt, ist es diese Produktivität, die maßgeblich zum andauernden Erfolg und zur filmgeschichtlichen Bedeutung von <em>A Nightmare on Elm Street</em> beigetragen hat.
Keywords
A Nightmare on Elm Street, Wes Craven, Horrorfilm, Michel Serres, Monster, Alptraum, Freddy Krueger, Trauma, Slasher, Horrorgenre
ISBN Print
978-3-941310-32-2
DOI
10.14631/978-3-96317-635-7
Rights
The license or copyright notice is to be added in this field
CC BY-NC 4.0
Language
de
Type
The type of publication is to be added in this field: Usually it will be just Book, Peer-reviewed Book, Edited Book
Book
Format
Add available formats in this field
Print, PDF
ISBN PDF
978-3-96317-635-7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Gestörter Film<em></em> : Wes Cravens A Nightmare on Elm Street
Creator
An entity primarily responsible for making the resource
Rein, Katharina
Publisher
An entity responsible for making the resource available
Büchner-Verlag
Date
A point or period of time associated with an event in the lifecycle of the resource
2012
Description
An account of the resource
Wes Cravens <em>A Nightmare on Elm Street</em> (1984) genießt heute mehr denn je Kultstatus. Allein der Gedanke an seine Hauptfigur Freddy Krueger jagt noch immer vielen Zuschauern einen Schauer über den Rücken – und zaubert eingeweihten Slasher-Fans ein Grinsen ins Gesicht. <br />Katharina Rein unterzieht diesen unbestrittenen Genre-Klassiker einer intensiven Lektüre, in der sie den zentralen Momenten der Störung nachspürt. Anhand ausgewählter Sequenzen des Films deckt sie die Funktionsweisen von Störungen im Horrorgenre auf. Entgegen verbreiteter Auffassungen begreift sie diese im Anschluss an Michel Serres nicht als hinderlich, sondern als produktiv. Wie Rein zeigt, ist es diese Produktivität, die maßgeblich zum andauernden Erfolg und zur filmgeschichtlichen Bedeutung von <em>A Nightmare on Elm Street</em> beigetragen hat.
Subject
The topic of the resource
A Nightmare on Elm Street, Wes Craven, Horrorfilm, Michel Serres, Monster, Alptraum, Freddy Krueger, Trauma, Slasher, Horrorgenre
Identifier
An unambiguous reference to the resource within a given context
ISBN Print: 978-3-941310-32-2
ISBN PDF: 978-3-96317-635-7
DOI: 10.14631/978-3-96317-635-7
Rights
Information about rights held in and over the resource
CC BY-NC 4.0
Language
A language of the resource
de
Type
The nature or genre of the resource
Book
Format
The file format, physical medium, or dimensions of the resource
Print, PDF
Filmgenre
Filmwissenschaft
Medienwissenschaft